The movie is carried by sweeping widescreen images, dynamic camera movements, impressive special effects and a color scheme that contrasts icy blues against fiery reds.
By the end, the accelerating plot twists and turns — love, obsession, family obligations, personal honor — become tangled and knotted; a few threads are simply ignored or discarded.
This visually restless and ultimately ludicrous Chinese horror film from director Yip Wai Man (a.k.a. Raymond Yip) is unlikely to either shorten your breath or curl your toes.