In most of the comments on this page, where nuance seems to have taken a time off, this latest Conjuring entry is either the best horror pic ever made or a reason for banishing the producers from living in society. It is actually neither here nor there and the truth of the matter is, as always, much more complex than that. But if you're really just looking to be entertained for almost two hours, The Devil Made Me Do It will certainly do the trick.
First of all, I have to admit that I really enjoy this franchise as a whole and the main trilogy is undoubtedly amongst the best contemporary horror movies to ever grace our screens. While the spin offs are very reasonably controversial regarding quality, it is not a stretch to say that this universe is yet to deliver a bad film, which is remarkable given the very sad moment that the genre is going through. This is why I was looking forward to the Warren's return and I must admit not feeling disappointed while the credits were rolling - in fact, I was admired by what this movie tried to accomplish.
Being the first movie of the trilogy to not be directed by James Wan naturally brought about some changes to the formula. In fact, the script in itself (co-written by Wan) contributed to departing Devil from its previous installments, which is a nice attempt to stir things up (added to the fact that is really admirable when a franchise doesn't always play safe, like I dunno, most of the things Hollywood produces nowadays). Devil does not present the haunted house cliché once again and tries (not so successfully, it is true) to approach witchcraft, police procedurals and courtroom drama. That is, at least, what this movie's trailers try to sell you, which made me feel a little upset because I just love courtroom dramas and it would have been a nice addition to an almost decade old horror franchise if they just explored it more in this film, but that is just fine. Michael Chaves' direction is risk-free and even plain unoriginal at times. There are almost no jump scares and the scene which will most likely make you feel scared is at the very beginning of the movie. While watching, I guessed that he wasn't a veteren in the genre and yup, this is only his second feature film so give the guy a break. So we're left with a conservative direction and a somewhat daring script (albeit full of conveniences and no-ends), which is pretty much my attempt to summarize this movie.
Patrick Wilson and Vera Farmiga are very comfortable in their respective roles and I agree with people here saying that they are the highlight of this film. No doubt Ed and Lorraine will make it into some people's relationship goals (including mine) and that is saying something about the charisma of these characters. I really miss the Nun, though. This new villain (played by Eugenie Bondurant) didn't really do it for me. The rest of the cast is funcional, with a special mention to John Noble for bringing to life a compelling and enigmatic character such as Kastner.
Alas, you probably won't be left down by The Devil Made Me Do It, but it definitely serves as a yellow flag for this franchise. That means: either be successful at attempting to renovate the formula next time around or risk falling into ostracism. For this movie's risk taking, I will give it a 7, which in my rating's book is: good.
First of all, I have to admit that I really enjoy this franchise as a whole and the main trilogy is undoubtedly amongst the best contemporary horror movies to ever grace our screens. While the spin offs are very reasonably controversial regarding quality, it is not a stretch to say that this universe is yet to deliver a bad film, which is remarkable given the very sad moment that the genre is going through. This is why I was looking forward to the Warren's return and I must admit not feeling disappointed while the credits were rolling - in fact, I was admired by what this movie tried to accomplish.
Being the first movie of the trilogy to not be directed by James Wan naturally brought about some changes to the formula. In fact, the script in itself (co-written by Wan) contributed to departing Devil from its previous installments, which is a nice attempt to stir things up (added to the fact that is really admirable when a franchise doesn't always play safe, like I dunno, most of the things Hollywood produces nowadays). Devil does not present the haunted house cliché once again and tries (not so successfully, it is true) to approach witchcraft, police procedurals and courtroom drama. That is, at least, what this movie's trailers try to sell you, which made me feel a little upset because I just love courtroom dramas and it would have been a nice addition to an almost decade old horror franchise if they just explored it more in this film, but that is just fine. Michael Chaves' direction is risk-free and even plain unoriginal at times. There are almost no jump scares and the scene which will most likely make you feel scared is at the very beginning of the movie. While watching, I guessed that he wasn't a veteren in the genre and yup, this is only his second feature film so give the guy a break. So we're left with a conservative direction and a somewhat daring script (albeit full of conveniences and no-ends), which is pretty much my attempt to summarize this movie.
Patrick Wilson and Vera Farmiga are very comfortable in their respective roles and I agree with people here saying that they are the highlight of this film. No doubt Ed and Lorraine will make it into some people's relationship goals (including mine) and that is saying something about the charisma of these characters. I really miss the Nun, though. This new villain (played by Eugenie Bondurant) didn't really do it for me. The rest of the cast is funcional, with a special mention to John Noble for bringing to life a compelling and enigmatic character such as Kastner.
Alas, you probably won't be left down by The Devil Made Me Do It, but it definitely serves as a yellow flag for this franchise. That means: either be successful at attempting to renovate the formula next time around or risk falling into ostracism. For this movie's risk taking, I will give it a 7, which in my rating's book is: good.
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