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I really liked this movie
29 November 2009
Warning: Spoilers
I can see why some viewers criticized this film; it's not a conventional story in which everything is wrapped up neatly at the end. It is, rather, a character study of five women caught in a job few if any of them really want to be doing, struggling with the frustration of chasing dreams that may never be realized. It is achingly like real life. I suppose it might be difficult for many men to relate to these characters--the stars are all women, and the male characters are peripheral at best, with the exception of the long-awaited star who makes an appearance near the end. On the other hand, the feeling of chasing a dream and seeing it always beyond reach is universal, isn't it? except for a very few fortunate people who realize their ambitions fully.

The workplace dynamics add another layer to the drama; although the manager is not always a sympathetic character, it is possible to see how difficult her job must be in trying to manage dysfunctional people who ignore about half of her requests and mock her efforts to get them to work as a team.

It's not for everyone, and the people who turned it off after the first half hour are probably right in that it's not for them. But I have a feeling I'll be thinking about this for a while, much longer than I would a more conventional movie.
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Taking Liberty (1995 TV Movie)
1/10
Are you kidding me?
28 November 2009
Why on earth would anyone make a movie about the American Revolution and get the simplest facts wrong? This purports to be happening in 1778, with Benjamin Franklin aiding the heroine and her rebel pals. The fact that Franklin was in France then is dismissed with his airy explanation: "oh, I'm there some of the time, but there's so much work to do here . . . " He was a public figure and a famous man; he could not have slipped casually away from France for months on end without it being noticed. And for some reason he has his secret hideout/laboratory in New York, not in Philadelphia--why?

When she's looking for "Poor Richard," she shows no recognition of the name, although it was about as famous as Franklin himself. His almanack and the sayings from it were very well known.

What a silly film. About the most I can say for it is that it's pretty--nice scenery, some handsome horses, some lovely if not particularly historically accurate clothing. But it's much more a fantasy than a history.
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5/10
Ludicrous fun (contains spoilers)
8 October 2009
Warning: Spoilers
This is a fun movie for the reasons other reviewers note--the action and suspense, the silly idea of the diplomat's daughter becoming a spy, the bright colors. But the "action" scenes are beyond ridiculous; "Kitten" escapes from dangerous situations by the most unbelievable luck. In one scene, for example, she's drugged and wakes up supposedly paralyzed by the drug. But when the baddie tries to throw her off the balcony, with one feeble hand she manages to pull him up, over the balcony, and throw him below. Umm, how? In another scene, she's chased into a room by two baddies, screaming at the top of her lungs, but a moment later she's crawling around behind the furniture and they can't find her! It's completely absurd, but the movie gives no nod to how silly it is, just plunges forward.
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The truth is, we don't know for sure
10 February 2008
Warning: Spoilers
I researched this question a few years ago, and here's what I remember about the DNA evidence: it showed that some, but not all, of Sally's children were related to a male Jefferson. Maybe Thomas, maybe another one.

And the newspaper reporter who wrote the story was a disappointed office-seeker who had a grudge against Jefferson.

Given this, I'm somewhat amused by the vehemence with which both sides defend their point of view: those (few) who proclaim that Jefferson could not have been involved with his slave this way, and those many who not only accept the relationship as proved but go on to state that it either must have been or could not possibly have been a romance.

For what it's worth, I think the preponderance of evidence supports that there was a sexual relationship that produced children. Beyond that, I don't know if the 14-year-old Sally fell in love with this remarkable man or if in his private life he was capable of raping his slave. Given that her oldest child wasn't a Jefferson, the "tradition" that their relationship began in Paris seems suspect.

Finally, Jefferson himself simply refused to address the embarrassing newspaper reports. Everyone involved is long dead, and we'll probably never know for sure. Such is the nature of history (some of the time).
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Into the West (2005)
4/10
Cardinal sin in storytelling
4 July 2005
I remember a teacher in fifth grade, maybe, telling us that the goal in writing a story was to *show* the events, emotions, characters, etc., rather than just *tell* about them. I thought of that when I listened to so much narration in this series that took the place of actual drama being acted out. One character talks about how impressed he is when he first sees a herd of buffalo--a good actor could show this by his expression and body language. Another talks about leaving the army because he'd had enough of killing and then seeking peace in the mountains. I suppose it's a lot faster than showing this through dialog, relationships with others, and acting? Disappointment doesn't begin to describe my reaction to this series.
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Henry VIII (2003 TV Movie)
Yet another gross distortion of history
21 November 2004
I second most of the comments already made about the historical inaccuracy of this program, but want to add yet another quibble: the scenes that purport to show the dissolution of the monasteries. What a bunch of hooey! I thought I was watching a scene from some movie of the Vikings raiding and pillaging the English coast. What actually happened was that inspectors were sent around and anything of value was methodically stripped and either taken for the royal treasury or sold; the monasteries were then pulled down, bells were melted, etc.; the monks and nuns were given pensions. It's true that servants were turned off without work, causing hardship; it's also true that those who were especially obdurate were tried and executed, but the slashing swords and burning monks fleeing from buildings were complete inventions of the filmmakers.

I just don't see the point--fiction is the name for this (not even historical fiction--just fiction).
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