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Assassin's Creed III (2012 Video Game)
10/10
Another great game from a great series.
3 November 2012
One has to be careful of taking the beauty in Assassin's Creed 3 for granted. This is a thought that occurred to me about 10 hours in as I piloted the franchise's newest protagonist through a sun-dappled forest glade en route to completing my latest side mission.

Because Assassin's Creed 3 is bursting with activities, my attention to detail had shrunken somewhat. I caution against a blinkered approach – stop and take in the view sometime.

This is because once one steps back and bothers to survey the game's environment, one can't help but be bowled over. In the brief moment I hurtled through the trees towards my destination, I gazed across a pine forest expanse, over a rock-encrusted river that spilled into a glistening lake by way of a waterfall dropping off a sheer cliff face.

It was like something out of a Terence Malik film. And not only is the world encased in Assassin's Creed 3 an intricately presented breathtaking marvel to behold, it's age and region specific too.

It's worth pointing all of this out because, by now, aching beauty and painstaking attention to historic detail – both visual and temporal – have become calling cards of the Assassin's Creed series. That's why they're so easy to take for granted.

The series fans will certainly love it, and those who are new to it, will be captivated by it, it's an amazing game, and deserves the GOTY.
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Dexter: Are You...? (2012)
Season 7, Episode 1
10/10
Damn good opening!
3 October 2012
Warning: Spoilers
Season 6 was quiet a downfall, and i was afraid that this season might go in vain too...but it's reassuring that this is wow! We then return to the critical point at the end of season six where Debra walks in on the demise of Travis Marshal, as if the series never actually paused for nine months. Their conversation is a difficult one, where Dexter lies very poorly, and Debra is pretty much willing to accept whatever he says, initially.

But the real crossing point is where she goes to get the petrol, linking her to the death of Travis, and leaving a clue for someone else to find later. Before we've got much time to take in the enormity of what just happened, poor Mike crosses paths with a Ukrainian killer and ends up in a body bag for his troubles. As a character Mike was fine, if lacking much of a back-story or many alternative interests away from police work, but he didn't deserve to die did he? He's killed by the excellent Enver Gjokaj, who was one of the few good things about Dollhouse, in which, incidentally he also played a character called 'Victor'. He only really gets one proper scene which is the one where Dexter catches up with him, which is a shame because he's a good actor that deserves a part that lasts more than one episode.

If I've got a real complaint, and it's a mild one, it's the scene where Dexter finds himself at Miami International Airport. The idea that you can buy a ticket, enter international departure and then not get on the aircraft or cause a security scare is a stretch, as is then getting out of there with a body and somehow back into arrivals. But then we've just swallowed that Debra believed any of the BS Dexter gave her to explain the frighteningly efficient killing equipment he just had handy. Except she didn't really buy it, and we knew as much by her reaction.

The other minor characters get to chew the fat about their lives in the episode. LaGuerta gets a blood slide clue to follow, and Louis seems intent on making Dexter's life even more problematic than it already is as a means to shorten his life expectancy.

But most of this is small talk and a prelude to the main course, the reveal for which the death of Travis was something of a dry run. Dexter comes home from a relaxing evening with Victor on the boat, Slice of Life, and finds Debra will all his slides, killing equipment and the whole sorry truth laid out.

Umm... Dexter scores heavily for truth, and yet very poorly for ongoing family relationships there. The genie in this show is really out of the bottle now, and whatever rules applied before have just been completely scrapped.

Where the opening scenes in the Church lead us to think that maybe Dexter would get off the truth hook, the final scene puts him squarely on it, with all the implications that revelation suggests. Would Dexter kill Debra? It's not something we've been asked to consider, but it is a question that might get seriously asked at some point.

As much as I generally liked this story, it was remarkably short on laughs. A good giggle is an absolute necessity for Dexter, and almost without exception it was deadly serious throughout. But in all other respects this is the best start one might reasonably expect. Season six didn't really take-off in the way it looked like doing at one point, and season four is still the high-water mark of the show. They've now played the major trump card they've been holding for six years, betting heavily that they can top the drama of season four with what they've got planned. We've been told that the show ends in season eight, so this is the first step in a narrative to take Dexter where we'll leave him in 23 more episodes.

I love this show, and the ending of this one made me scream for the next, which is exactly the way it should be.
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Dexter (2006–2013)
10/10
One of the best T.V. series out there!
29 September 2012
Six Feet Under's Michael C. Hall is still dealing with death, just in a different way. In this adaptation of Jeff Lindsay's novel "Darkly Dreaming Dexter," Hall stars as a forensics pathologist who moonlights as a serial killer. (He's not all evil, though; he only murders bad guys.) The first season of Showtime's "Dexter" is some of the best television I have ever seen. It is extremely dark material, probably the darkest TV of all time. It tries to get into the head of a serial killer, and it succeeds. What is particularly disturbing is that the viewer comes to identify with Dexter, almost hoping he lives to kill for another day. Correct: this is not for the faint of heart. Each episode is like a movie, with deeply cinematic qualities. Gorgeous cinematography, interesting dialogue, and smashing editing. Dexter is played by Michael C. Hall, who became a star via that other premium-cable pioneer, "Six Feet Under." Hall is absolutely superb. This character gives him a gigantic stretch, and Hall grabs the bull by the horns with gusto. The supporting characters are almost as interesting as Dexter, especially Dexter's sister, played by Hall's real-life wife, Jennifer Carpenter. I cannot believe that Carpenter hasn't gotten more praise for her work here. She brings this young woman's insecurity and cockiness to life in ways that I think make television history.
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