Indie News
David Cronenberg’s “The Shrouds,” the horror auteur’s latest film about a widow who invents technology to see inside his late wife’s grave, received a 3.5-minute standing ovation at its Cannes premiere on Monday night.
The crowd showed their respect for the Cannes legend with applause after the credits rolled, but it was lackluster as audience members digested the film, which is a departure from Cronenberg’s usual out-of-the-box body horror. Instead, “The Shrouds” is a thoughtful exploration of grief and technology, and though there are several gross-out moments, the film relies on emotion more than anything.
“This is the first time I’ve seen the movie with an audience, and it’s completely different,” Cronenberg said after the clapping died down. “I’m very happy that you are all here.”
Described as an arthouse horror film, “The Shrouds” stars Vincent Cassel, Diane Kruger, Guy Pearce and Sandrine Holt.
The crowd showed their respect for the Cannes legend with applause after the credits rolled, but it was lackluster as audience members digested the film, which is a departure from Cronenberg’s usual out-of-the-box body horror. Instead, “The Shrouds” is a thoughtful exploration of grief and technology, and though there are several gross-out moments, the film relies on emotion more than anything.
“This is the first time I’ve seen the movie with an audience, and it’s completely different,” Cronenberg said after the clapping died down. “I’m very happy that you are all here.”
Described as an arthouse horror film, “The Shrouds” stars Vincent Cassel, Diane Kruger, Guy Pearce and Sandrine Holt.
- 5/20/2024
- by Ellise Shafer
- Variety - Film News
As the longest running reality television series, “Survivor” has become a household name. Just think of the famous catchphrases. Who hasn’t said they wanted to vote an irritating person “off the island” or used “the tribe has spoken” at one punny point in their life? After three decades of filming, this year’s Season 46 is proving that changes to this season’s unique gameplay combining social, mental, and physical elements is the key to keeping the series exciting, highly discussable, and popular with viewers.
New aspects of the game introduced after the pandemic have earned the last five seasons the fan-dubbed moniker “New Era Survivor” for good reason. Instead of 39 days, “Survivor” is now played in a shorter and more intense 26 days. Forget those lavish days of “Survivor’s” past with building supplies, canned food and rice, and comfy hammocks. Contestants are no longer given any food to start,...
New aspects of the game introduced after the pandemic have earned the last five seasons the fan-dubbed moniker “New Era Survivor” for good reason. Instead of 39 days, “Survivor” is now played in a shorter and more intense 26 days. Forget those lavish days of “Survivor’s” past with building supplies, canned food and rice, and comfy hammocks. Contestants are no longer given any food to start,...
- 5/21/2024
- by Brigid Misselhorn
- Indiewire
[Editor’s note: this list was originally published in May 2023. It has since been updated with new films to crack the Cannes 5-minute mark.]
Each Cannes Film Festival is accompanied by the annual debate about whether the length of a film’s standing ovation is an accurate measure of its quality. But whether you see the practice of tracking ovation times as a fun cinephile tradition or an oversimplified waste of time, there’s no denying that it happens every year. For certain film industry observers, the number of minutes of applause that a buzzy movie receives on the Croisette is as significant as the first wave of reviews.
Cannes audiences have long been known for their bold responses to new movies. There’s virtually no such thing as a lukewarm response at the world’s biggest film festival — or at least, nothing that an American audience would recognize as lukewarm. Virtually all films receive either a standing ovation or loud boos. The over the top responses are a ritual in and of themselves,...
Each Cannes Film Festival is accompanied by the annual debate about whether the length of a film’s standing ovation is an accurate measure of its quality. But whether you see the practice of tracking ovation times as a fun cinephile tradition or an oversimplified waste of time, there’s no denying that it happens every year. For certain film industry observers, the number of minutes of applause that a buzzy movie receives on the Croisette is as significant as the first wave of reviews.
Cannes audiences have long been known for their bold responses to new movies. There’s virtually no such thing as a lukewarm response at the world’s biggest film festival — or at least, nothing that an American audience would recognize as lukewarm. Virtually all films receive either a standing ovation or loud boos. The over the top responses are a ritual in and of themselves,...
- 5/21/2024
- by Wilson Chapman
- Indiewire
No matter how badly your week is going, it’s worth pausing to appreciate the fact that you’re not currently embroiled in a violent feud with a snake venom dealer who calls himself Butcher Hu. But we can’t all be so lucky.
Lang (Eddie Peng) is a changed man since coming out of prison. Emotionally callused and silent by choice, you’d never guess that he was once a beloved entertainer who played rock music and rode motorcycles in the local circus. But when he leaves the joint and returns to his small hometown in China’s Gobi Desert, there’s nothing waiting for him except bad vibes. His father is drinking himself to death at the local zoo, his neighbors resent him for his perceived crimes and assume he got a light sentence because of his celebrity, and his town is overrun with rabid dogs. To make matters worse,...
Lang (Eddie Peng) is a changed man since coming out of prison. Emotionally callused and silent by choice, you’d never guess that he was once a beloved entertainer who played rock music and rode motorcycles in the local circus. But when he leaves the joint and returns to his small hometown in China’s Gobi Desert, there’s nothing waiting for him except bad vibes. His father is drinking himself to death at the local zoo, his neighbors resent him for his perceived crimes and assume he got a light sentence because of his celebrity, and his town is overrun with rabid dogs. To make matters worse,...
- 5/20/2024
- by Christian Zilko
- Indiewire
As lovely and lilting as hearing Claude Debussy’s “Clair de Lune” over a crackly record player on a snow-flecked day, Japanese filmmaker Hiroshi Okuyama’s second feature “My Sunshine” is a moving coming-of-age drama about kids facing up to the troubles of adulthood.
This gently composed story of an ice-skating coach on the island of Hokkaido, and his two young pupils, has darker dynamics under its sleeve than the emotionally generous time-to-face-the-music-of-growing-up story that’s on its surface. It’s told in furtive glances and silent pacts against a frost-dappled backdrop, the end of winter coming soon, as two adolescents form a bond on the ice rink that complicates the private life of their instructor. Japan would be wise to submit “My Sunshine,” the second feature from “Jesus” director Okuyama, for the Best International Feature Oscar. Both the glass-half-full and the glass-half-empty corners of the audience will resonate with...
This gently composed story of an ice-skating coach on the island of Hokkaido, and his two young pupils, has darker dynamics under its sleeve than the emotionally generous time-to-face-the-music-of-growing-up story that’s on its surface. It’s told in furtive glances and silent pacts against a frost-dappled backdrop, the end of winter coming soon, as two adolescents form a bond on the ice rink that complicates the private life of their instructor. Japan would be wise to submit “My Sunshine,” the second feature from “Jesus” director Okuyama, for the Best International Feature Oscar. Both the glass-half-full and the glass-half-empty corners of the audience will resonate with...
- 5/20/2024
- by Ryan Lattanzio
- Indiewire
Scarlett Johansson said that OpenAI CEO Sam Altman contacted her last September about voicing the current ChatGPT 4.0 system but that she declined. After the launch of “Sky” that resembles her voice, Johansson said she’s hired legal counsel to demand more information about how the company created the AI voice model, leading the company to today “pause” its usage.
“When I heard the released demo, I was shocked, angered, and in disbelief that Mr. Altman would pursue a voice so eerily similar to mine that my closest friends and news outlets could not tell the difference,” Johansson said in a statement obtained by NPR on Monday, May 20.
Johansson said Altman contacted her agents two days before the release of ChatGPT 4.0 asking her to reconsider, but the demo featuring Sky was launched before they had the chance to meet.
The statement also refers to Altman’s May 13 tweet of the word “her,...
“When I heard the released demo, I was shocked, angered, and in disbelief that Mr. Altman would pursue a voice so eerily similar to mine that my closest friends and news outlets could not tell the difference,” Johansson said in a statement obtained by NPR on Monday, May 20.
Johansson said Altman contacted her agents two days before the release of ChatGPT 4.0 asking her to reconsider, but the demo featuring Sky was launched before they had the chance to meet.
The statement also refers to Altman’s May 13 tweet of the word “her,...
- 5/20/2024
- by Brian Welk
- Indiewire
Criterion and its sister distribution arm Janus Films each have a new owner: Indian Paintbrush founder Steven Rales.
Rales has acquired both Criterion and Janus in a private transaction, IndieWire has learned according to two individuals, giving the home for classic and art house films a new leader.
However, as Screen Daily first reported, leadership, including Criterion and Janus Films president Peter Becker, is expected to remain in place, and the overall mission of both companies is not expected to change, per a source.
“We have grown our brands and audience with dedication to a set of values reflected in the films we release, the way we release them, and the way we conduct our business with our valued partners around the world,” Becker said in a statement to Screen. “We are excited to continue that legacy and pursue new opportunities now available through this relationship.”
Reps for Janus Films...
Rales has acquired both Criterion and Janus in a private transaction, IndieWire has learned according to two individuals, giving the home for classic and art house films a new leader.
However, as Screen Daily first reported, leadership, including Criterion and Janus Films president Peter Becker, is expected to remain in place, and the overall mission of both companies is not expected to change, per a source.
“We have grown our brands and audience with dedication to a set of values reflected in the films we release, the way we release them, and the way we conduct our business with our valued partners around the world,” Becker said in a statement to Screen. “We are excited to continue that legacy and pursue new opportunities now available through this relationship.”
Reps for Janus Films...
- 5/20/2024
- by Brian Welk
- Indiewire
Inspired by the loss of the director’s wife, “The Shrouds” is a grief story as only David Cronenberg would ever think to shoot one: Sardonic, unsentimental, and often so cadaverously stiff that the film itself appears to be suffering from rigor mortis, as if its images died at some point along their brief journey from the projector to the screen. And really, what else would you expect? I suppose it’s possible that the story’s deeply personal context might have spurred Cronenberg to push against the tender sterility of his recent features, or even dare to expose the soft underbelly that’s always been hiding inside his tumorous body of work and its many layers of scary-beautiful new flesh. If so, it almost immediately becomes clear that he had zero interest in accepting that invitation.
A quintessentially late film from an artist who’s always been ahead of his time,...
A quintessentially late film from an artist who’s always been ahead of his time,...
- 5/20/2024
- by David Ehrlich
- Indiewire
Before digital tools allowed composers to simulate any instrument on a laptop, musical scores for TV were simple melodies performed by a handful of session musicians. The newer technology meant those musicians lost their jobs; so did the guy who transcribed the composer’s scores.
However: That doesn’t mean scores require fewer people, or became cheaper to produce.
Today, even the smallest TV shows employ full orchestras. Tech made things easier, but the cost to produce scores for film and TV has only increased. With greater possibilities, more advanced jobs replaced those that were lost.
That’s the analogy Matt Nix, showrunner for “Burn Notice” and the recent “True Lies,” used when describing the advent of artificial intelligence at the May 16 AI on the Lot summit at Los Angeles Center Studios. He rejected the idea that AI will become a pathway to low-cost filmmaking and TV production that uses...
However: That doesn’t mean scores require fewer people, or became cheaper to produce.
Today, even the smallest TV shows employ full orchestras. Tech made things easier, but the cost to produce scores for film and TV has only increased. With greater possibilities, more advanced jobs replaced those that were lost.
That’s the analogy Matt Nix, showrunner for “Burn Notice” and the recent “True Lies,” used when describing the advent of artificial intelligence at the May 16 AI on the Lot summit at Los Angeles Center Studios. He rejected the idea that AI will become a pathway to low-cost filmmaking and TV production that uses...
- 5/20/2024
- by Brian Welk
- Indiewire
John Krasinski’s “If” presents a menagerie of celebrity-voiced imaginary friends who are in search of existential purpose after their kids grow up and forget them. Enter Ryan Reynolds, who runs a matchmaking service for the “IFs,” who live in a secluded retirement home at Deno’s Wonder Wheel Park in Coney Island.
Framestore handled the audacious fusion of live-action and CG animation and VFX (800 shots) spread across their London, Montreal, and Mumbai studios. Led by animation director Arslan Elver and VFX supervisor Chris Lawrence, the team worked closely with director-actor Krasinski to get believable performances out of the IFs on set or in post. Krasinski saw them as visceral, hyper-real puppets. The techniques included stand-ins to help the voice actors deliver full performances, placing the animated characters in the shot with VR, or the use of home-shot reference footage from the animators.
There are three hero characters: Blue (Steve Carell), a sweet,...
Framestore handled the audacious fusion of live-action and CG animation and VFX (800 shots) spread across their London, Montreal, and Mumbai studios. Led by animation director Arslan Elver and VFX supervisor Chris Lawrence, the team worked closely with director-actor Krasinski to get believable performances out of the IFs on set or in post. Krasinski saw them as visceral, hyper-real puppets. The techniques included stand-ins to help the voice actors deliver full performances, placing the animated characters in the shot with VR, or the use of home-shot reference footage from the animators.
There are three hero characters: Blue (Steve Carell), a sweet,...
- 5/20/2024
- by Bill Desowitz
- Indiewire
Whether the sprawling fantasia that is Tyler Taormina’s Christmas Eve in Miller’s Point proves heartwarmingly reflective or personally destabilizing in its near-ethnographic study of American holiday ritual will depend, largely, on the composition and size of your own Xmas memories. It’s a strength of the film, however, that Taormina’s expansive canvas allows for — and incorporates — the whole range of emotions that the theater of Christmas can produce, from the giddiness of an overstimulated child, stomach groaning from too much pumpkin pie, gazing at all those wrapped presents, to the wearied anxiety of an adult realizing that the holiday […]
The post “I Actually Feel Like the Firefly Was Caught in the Jar”: Tyler Taormina on His Cannes-Premiering Christmas Eve in Miller’s Point first appeared on Filmmaker Magazine.
The post “I Actually Feel Like the Firefly Was Caught in the Jar”: Tyler Taormina on His Cannes-Premiering Christmas Eve in Miller’s Point first appeared on Filmmaker Magazine.
- 5/20/2024
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
Whether the sprawling fantasia that is Tyler Taormina’s Christmas Eve in Miller’s Point proves heartwarmingly reflective or personally destabilizing in its near-ethnographic study of American holiday ritual will depend, largely, on the composition and size of your own Xmas memories. It’s a strength of the film, however, that Taormina’s expansive canvas allows for — and incorporates — the whole range of emotions that the theater of Christmas can produce, from the giddiness of an overstimulated child, stomach groaning from too much pumpkin pie, gazing at all those wrapped presents, to the wearied anxiety of an adult realizing that the holiday […]
The post “I Actually Feel Like the Firefly Was Caught in the Jar”: Tyler Taormina on His Cannes-Premiering Christmas Eve in Miller’s Point first appeared on Filmmaker Magazine.
The post “I Actually Feel Like the Firefly Was Caught in the Jar”: Tyler Taormina on His Cannes-Premiering Christmas Eve in Miller’s Point first appeared on Filmmaker Magazine.
- 5/20/2024
- by Scott Macaulay
- Filmmaker Magazine - Blog
Welcome to It’s a Hit! In this series, IndieWire speaks to creators and showrunners behind a few of our favorite television programs about the moment they realized their show was breaking big.
“It did feel like the Avengers assembling,” said executive producer Sam Rees-Jones of casting the first all-celebrity edition of “The Traitors” on Peacock. “We knew in Season 2 we wanted to assemble an all celebrity cast knowing that that would create a buzz as well, and would help build on the success of Season 1,” said executive producer Mike Cotton.
The pair, based in the United Kingdom, told IndieWire over Zoom that another key change for the second season of the reality competition series where “faithful” contestants try to weed out who among them are traitors before the latter steal all the money they earned from completing missions was changing the way in which the episodes were rolled out.
“It did feel like the Avengers assembling,” said executive producer Sam Rees-Jones of casting the first all-celebrity edition of “The Traitors” on Peacock. “We knew in Season 2 we wanted to assemble an all celebrity cast knowing that that would create a buzz as well, and would help build on the success of Season 1,” said executive producer Mike Cotton.
The pair, based in the United Kingdom, told IndieWire over Zoom that another key change for the second season of the reality competition series where “faithful” contestants try to weed out who among them are traitors before the latter steal all the money they earned from completing missions was changing the way in which the episodes were rolled out.
- 5/20/2024
- by Marcus Jones
- Indiewire
Just over a week into Cannes, some major contenders have already found homes, while many more buzzy titles with Palme d’Or aspirations are awaiting buyers. This year’s market hasn’t been weighed down by the writers or actors strikes in the same way as last year, meaning companies like A24, Neon, Apple, and more have jumped in on exciting packages of possibly future contenders.
Below we’re tracking everything that gets bought throughout the festival and beyond.
Films Acquired During the Festival “Santosh”
Section: Un Certain Regard
Director: Sandhya Suri
Buyer: Metrograph Pictures
Date Acquired: May 20
Cast: Shahana Goswami, Sunita Rajwar
Buzz: Indian filmmaker Sandhya Suri, who previously won the World Documentary Grand Jury Prize at Sundance for “I For India,” made her narrative feature directorial debut on this police procedural about a widow who inherits her husband’s job as a police constable and is brought under...
Below we’re tracking everything that gets bought throughout the festival and beyond.
Films Acquired During the Festival “Santosh”
Section: Un Certain Regard
Director: Sandhya Suri
Buyer: Metrograph Pictures
Date Acquired: May 20
Cast: Shahana Goswami, Sunita Rajwar
Buzz: Indian filmmaker Sandhya Suri, who previously won the World Documentary Grand Jury Prize at Sundance for “I For India,” made her narrative feature directorial debut on this police procedural about a widow who inherits her husband’s job as a police constable and is brought under...
- 5/20/2024
- by Brian Welk
- Indiewire
Five years ago, Iranian-Danish filmmaker Ali Abbasi broke out internationally with the Oscar-nominated “Border,” a thorny little beast of a fable about love, complicity, and guilt. His latest prods at some of the same themes, although the thorny little beast at the center of “The Apprentice” is far from a fictional creature of fables.
Abbasi’s newest chronicles the rise of former American president Donald Trump (Sebastian Stan) through his relationship with lawyer and political fixer Roy Cohn (Jeremy Strong).
Continue reading ‘The Apprentice’ Review: Sebastian Stan as Donald Trump? It Works! [Cannes] at The Playlist.
Abbasi’s newest chronicles the rise of former American president Donald Trump (Sebastian Stan) through his relationship with lawyer and political fixer Roy Cohn (Jeremy Strong).
Continue reading ‘The Apprentice’ Review: Sebastian Stan as Donald Trump? It Works! [Cannes] at The Playlist.
- 5/20/2024
- by Rafa Sales Ross
- The Playlist
An hour into “Misericordia,” there is a scene so shocking that it might leave viewers’ mouths agape in disbelief. Only it is a mere conversation between two people. That exchange of words can be so profoundly disquieting and underscores Alain Guiraudie’s commitment to thrilling audiences the old-fashioned way – with ideas rather than actions. His new thriller film is overladen with mysteries and enigmas, perhaps none so confounding as its absence from the main Competition at the Cannes Film Festival.
Continue reading ‘Misericordia’ Review: Alain Guiraudie’s Nerve-Rattling Thriller Is A Dostoevskian Masterwork [Cannes Review] at The Playlist.
Continue reading ‘Misericordia’ Review: Alain Guiraudie’s Nerve-Rattling Thriller Is A Dostoevskian Masterwork [Cannes Review] at The Playlist.
- 5/20/2024
- by Ankit Jhunjhunwala
- The Playlist
It’s May 20th, so you know what that means…
Oh you don’t either? Well, apparently, it’s National Streaming Day. And this isn’t just any National Streaming Day — it’s the 10th anniversary of the holiday, first declared by Roku in 2014. Break out the champagne — or at least have a few brewskis in Roku City.
More than just the screensaver’s majestic skyline has changed in the past decade. Occupying the penthouse of the largest skyscraper in all of streaming is Netflix, which currently has about 270 million global paid subscribers; 10 years ago the tally was 46 million subs, and the platform had just released “House of Cards” Season 2. Do you think Kevin Spacey’s life has changed at all since then?
On May 20, 2014, Netflix still did DVDs (in addition to streaming), it swore off ads, and would not touch live sports. Well, the DVDs have since been recycled,...
Oh you don’t either? Well, apparently, it’s National Streaming Day. And this isn’t just any National Streaming Day — it’s the 10th anniversary of the holiday, first declared by Roku in 2014. Break out the champagne — or at least have a few brewskis in Roku City.
More than just the screensaver’s majestic skyline has changed in the past decade. Occupying the penthouse of the largest skyscraper in all of streaming is Netflix, which currently has about 270 million global paid subscribers; 10 years ago the tally was 46 million subs, and the platform had just released “House of Cards” Season 2. Do you think Kevin Spacey’s life has changed at all since then?
On May 20, 2014, Netflix still did DVDs (in addition to streaming), it swore off ads, and would not touch live sports. Well, the DVDs have since been recycled,...
- 5/20/2024
- by Tony Maglio
- Indiewire
It’s been seven years since the last “Pirates of the Caribbean” arrived in theaters. And it sure does appear that a new film in the franchise is coming. Actually, there are two films in the works and both might actually get made. Sadly, if you’re a fan of Johnny Depp, then you’re out of luck.
According to a new EW interview with producer Jerry Bruckheimer, the filmmaker talked about the current state of the “Pirates of the Caribbean” franchise.
Continue reading ‘Pirates Of The Caribbean’: Jerry Bruckheimer Says Reboot & Margot Robbie Spinoff Both Might Get Made at The Playlist.
According to a new EW interview with producer Jerry Bruckheimer, the filmmaker talked about the current state of the “Pirates of the Caribbean” franchise.
Continue reading ‘Pirates Of The Caribbean’: Jerry Bruckheimer Says Reboot & Margot Robbie Spinoff Both Might Get Made at The Playlist.
- 5/20/2024
- by Martin Miller
- The Playlist
Introducing The Damned at its world premiere, Roberto Minervini stated that the film began from a desire to “deconstruct the precepts in war cinema,” e.g. good versus evil, “hyper-masculinity” and heroism. In the press kit interview, Minervini goes further, stating that there’s never been a war movie “that I would call humane […] Even films that depict tragedy and self-destruction emphasize martyrdom and sacrifice.” Has there really never been a true anti-war film? The existence of Come and See seems to contradict that, and noting that “good versus evil” isn’t real isn’t a breakthrough either, which may be why The […]
The post Cannes 2024: The Damned, The Invasion first appeared on Filmmaker Magazine.
The post Cannes 2024: The Damned, The Invasion first appeared on Filmmaker Magazine.
- 5/20/2024
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
Introducing The Damned at its world premiere, Roberto Minervini stated that the film began from a desire to “deconstruct the precepts in war cinema,” e.g. good versus evil, “hyper-masculinity” and heroism. In the press kit interview, Minervini goes further, stating that there’s never been a war movie “that I would call humane […] Even films that depict tragedy and self-destruction emphasize martyrdom and sacrifice.” Has there really never been a true anti-war film? The existence of Come and See seems to contradict that, and noting that “good versus evil” isn’t real isn’t a breakthrough either, which may be why The […]
The post Cannes 2024: The Damned, The Invasion first appeared on Filmmaker Magazine.
The post Cannes 2024: The Damned, The Invasion first appeared on Filmmaker Magazine.
- 5/20/2024
- by Vadim Rizov
- Filmmaker Magazine - Blog
Dakota Johnson has had a tough 2024. The actress stars in “Madame Web,” which might go down as one of the worst films of the year. Hell, the publicity tour was far more entertaining than the actual film. But coming next month is a film that might serve as a bit of a palate cleanser, “Am I Ok?”
Read More: ‘Am I Ok?’ Review: Dakota Johnson & Sonoya Mizuno Find True Love In A Heartwarming Coming Out Tale [Sundance]
As seen in the trailer for “Am I Ok?” the film tells the story of a 30-something woman who is terrible at finding love.
Continue reading ‘Am I Ok?’ Trailer: Dakota Johnson & Sonoya Mizuno Star In New Comedy From Tig Notaro & Stephanie Allyne at The Playlist.
Read More: ‘Am I Ok?’ Review: Dakota Johnson & Sonoya Mizuno Find True Love In A Heartwarming Coming Out Tale [Sundance]
As seen in the trailer for “Am I Ok?” the film tells the story of a 30-something woman who is terrible at finding love.
Continue reading ‘Am I Ok?’ Trailer: Dakota Johnson & Sonoya Mizuno Star In New Comedy From Tig Notaro & Stephanie Allyne at The Playlist.
- 5/20/2024
- by Martin Miller
- The Playlist
Dakota Johnson is asking herself what we all have at one time or another: “Am I Ok?”
Johnson stars in the simply titled feature that premiered at the 2022 Sundance Film Festival. Tig Notaro co-directs with her wife and fellow comedian Stephanie Allynne from a semi-autobiographical script written by Lauren Pomerantz.
Johnson stars as 30something Lucy who realizes she is a lesbian just as her best friend Jane (Sonoya Mizuno) announces she’s moving from Los Angeles to London for work. As Lucy’s life is upended, she’s suddenly floating through a queer dating pool without the life raft of Jane.
Jermaine Fowler, Kiersey Clemons, Molly Gordon, and Sean Hayes also star, along with co-director Notaro.
Screenwriter Pomerantz told Entertainment Weekly that “Am I Ok?” began as a “friendship movie” centered on her actual best friend Jessica Elbaum, who serves as a producer on the film. However, the feature became a coming-out dramedy instead.
Johnson stars in the simply titled feature that premiered at the 2022 Sundance Film Festival. Tig Notaro co-directs with her wife and fellow comedian Stephanie Allynne from a semi-autobiographical script written by Lauren Pomerantz.
Johnson stars as 30something Lucy who realizes she is a lesbian just as her best friend Jane (Sonoya Mizuno) announces she’s moving from Los Angeles to London for work. As Lucy’s life is upended, she’s suddenly floating through a queer dating pool without the life raft of Jane.
Jermaine Fowler, Kiersey Clemons, Molly Gordon, and Sean Hayes also star, along with co-director Notaro.
Screenwriter Pomerantz told Entertainment Weekly that “Am I Ok?” began as a “friendship movie” centered on her actual best friend Jessica Elbaum, who serves as a producer on the film. However, the feature became a coming-out dramedy instead.
- 5/20/2024
- by Samantha Bergeson
- Indiewire
We are less than two months away from the most anticipated horror film of the year, “MaXXXine.” Coming off of the surprising (and massive) success of both “X” and “Pearl,” the trilogy-capper looks like it could become the biggest in the franchise yet. But there are still many trying to pinpoint exactly what style filmmaker Ti West is bringing to this film.
Continue reading ‘MaXXXine’: Ti West Explains How Paul Schrader, ‘Terminator,’ ‘Vice Squad’ & Giallo All Mix To Bring His Next Slasher To Life at The Playlist.
Continue reading ‘MaXXXine’: Ti West Explains How Paul Schrader, ‘Terminator,’ ‘Vice Squad’ & Giallo All Mix To Bring His Next Slasher To Life at The Playlist.
- 5/20/2024
- by Martin Miller
- The Playlist
Though Steve Carell has tried his best to work on great TV shows in recent years, he still can’t shake “The Office.” Sure, he’s made plenty of films and proven he’s a wonderful actor, but everytime he works on a new show, such as the Netflix comedy, “Space Force,” it’s always just a reminder that he was at his peak on “The Office.” Well, now he’s headed to HBO (a network synonymous with quality) to once again try to shake off that ‘Office’ smell.
Continue reading Steve Carell To Star In New HBO Comedy Series From ‘Ted Lasso’ Creator Bill Lawrence at The Playlist.
Continue reading Steve Carell To Star In New HBO Comedy Series From ‘Ted Lasso’ Creator Bill Lawrence at The Playlist.
- 5/20/2024
- by Martin Miller
- The Playlist
The Cannes Film Festival is many things: A prestigious platform for the best of world cinema, a massive industry event where film acquisitions get made, a testament to the French film industry’s classism and rampant sexual abuse. But more than anything, it’s one of the world’s greatest photo opps.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get their picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get their picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
- 5/20/2024
- by Wilson Chapman
- Indiewire
It feels like we’ve been talking about the new version of “Time Bandits” for years now. Well, as a matter of fact, it was way back in 2018 (remember the good ol’ days pre-covid?) when it was reported that Apple TV+ was doing a series based on Terry Gilliam’s sci-fi film. Now, as we approach the summer, we’re finally getting our first look at what the new “Time Bandits” will look like.
Continue reading ‘Time Bandits’ First Look: Lisa Kudrow Stars In New Sci-Fi Comedy From Taika Waitit & Jemaine Clement at The Playlist.
Continue reading ‘Time Bandits’ First Look: Lisa Kudrow Stars In New Sci-Fi Comedy From Taika Waitit & Jemaine Clement at The Playlist.
- 5/20/2024
- by Martin Miller
- The Playlist
In Our Day.In the cinema, as elsewhere, the notion of “late style” has become a critical commonplace—shorthand for dealing with an artist’s “mature” work, particularly when said artists are dismissed or misunderstood after a period of acclaim. The problem with shorthand, of course, is that not everyone can read it, the result being that appeals to “late style” can come across as abdications of critical responsibility, promissory notes that have yet to be fulfilled. Such debts are in many cases eventually paid, obscure references to “late style” giving way to fuller, more perspicuous accounts of an artist’s achievement. Few would now dispute the considered analyses of how Howard Hawks, pivoting on the success of Rio Bravo (1959), made a deliberate move into the late-career languor of Hatari! (1962), Man’s Favorite Sport? (1964), and Red Line 7000 (1965). In the case of Hong Sang-soo, however, this critical due has yet to...
- 5/20/2024
- MUBI
An otherwise rote and unsurprising Frankenstein story about a madman who loses control of the monster he’s created, Ali Abbasi’s “The Apprentice” does exactly one thing that no other movie ever has before or will again: It makes you feel the smallest possible mote of sympathy for Roy Cohn. That isn’t a compliment, necessarily, but it is some kind of testament to the talent of the actor who plays him, and also a very different kind of testament to the unparalleled soullessness of the future world leader who Cohn helped to invent.
When this scuzzy little drama first begins in the late 1970s, it’s Sebastian Stan’s Donald J. Trump — then an insecure Manhattan nepo baby who fumbles around the city in search of his slumlord father’s non-existent affection — whose receding humanity is still visible enough to inspire the same tender pity once evoked by Michael Corleone,...
When this scuzzy little drama first begins in the late 1970s, it’s Sebastian Stan’s Donald J. Trump — then an insecure Manhattan nepo baby who fumbles around the city in search of his slumlord father’s non-existent affection — whose receding humanity is still visible enough to inspire the same tender pity once evoked by Michael Corleone,...
- 5/20/2024
- by David Ehrlich
- Indiewire
Nicolas Cage just might be the most terrifying serial killer onscreen…if he really is the murderer.
Cage stars in and produces “Longlegs,” the latest horror film from writer/director Oz Perkins who previously helmed “The Blackcoat’s Daughter” (2015), “I Am the Pretty Thing That Lives in the House” (2016), and “Greta and Hansel” (2020).
Perkins, the son of “Psycho” star Anthony Perkins, is officially credited as Osgood Perkins for “Longlegs.” The film is produced by Cage’s Saturn Pictures, Range, Traffic, Oddfellows, and C2 Motion Picture Group. Actress
The feature centers on a series of occult murders that are connected to an FBI detective’s (Maika Monroe) past. A cold case is reawakened; Cage, Blair Underwood, and Alicia Witt co-star in the film.
Cage previously teased his role in a conversation with horror icon John Carpenter for Document Journal. The Oscar winner hinted that his character might be the killer as he...
Cage stars in and produces “Longlegs,” the latest horror film from writer/director Oz Perkins who previously helmed “The Blackcoat’s Daughter” (2015), “I Am the Pretty Thing That Lives in the House” (2016), and “Greta and Hansel” (2020).
Perkins, the son of “Psycho” star Anthony Perkins, is officially credited as Osgood Perkins for “Longlegs.” The film is produced by Cage’s Saturn Pictures, Range, Traffic, Oddfellows, and C2 Motion Picture Group. Actress
The feature centers on a series of occult murders that are connected to an FBI detective’s (Maika Monroe) past. A cold case is reawakened; Cage, Blair Underwood, and Alicia Witt co-star in the film.
Cage previously teased his role in a conversation with horror icon John Carpenter for Document Journal. The Oscar winner hinted that his character might be the killer as he...
- 5/20/2024
- by Samantha Bergeson
- Indiewire
Nicolas Cage never went away, but he’s had a recent career resurgence. “Pig” and “The Unbearable Weight of Massive Talent” were both critical successes for the star. Last year’s more commercial “Renfield” put Cage’s talent front and center as he took on the iconic, villainous role of Dracula. And the surreal, nuanced turn in “Dream Scenario” even put him back in the Oscar conversation last year, even if he ultimately missed a nomination.
Continue reading ‘Longlegs’ Trailer: Nicolas Cage & Maika Monroe Star In Oz Perkins’ Serial Killer Horror Arriving July 12 at The Playlist.
Continue reading ‘Longlegs’ Trailer: Nicolas Cage & Maika Monroe Star In Oz Perkins’ Serial Killer Horror Arriving July 12 at The Playlist.
- 5/20/2024
- by Josh Halpern
- The Playlist
Editor’s note: This post was previously published on Thursday, May 16. It’s been updated to include more honorees, including John Mulaney, for this edition of IndieWire Honors.
IndieWire, the definitive outlet for creative independence in film and TV, announced on Thursday, May 16 a new edition of its IndieWire Honors event focused entirely on television. Curated and selected by IndieWire’s editorial team, IndieWire Honors is a celebration of the creators and stars responsible for some of the most stellar work of the TV season.
Hosted by “Just for Us” comedian Alex Edelman, the latest edition of the event will be celebrated at an intimate cocktail reception taking place Thursday, June 6 in Los Angeles. Exclusive editorial content, including honoree profiles, will also be featured on IndieWire beginning May 29 and will continue throughout the lead-up to the awards night, followed up video interviews and more content from the event. Other honorees...
IndieWire, the definitive outlet for creative independence in film and TV, announced on Thursday, May 16 a new edition of its IndieWire Honors event focused entirely on television. Curated and selected by IndieWire’s editorial team, IndieWire Honors is a celebration of the creators and stars responsible for some of the most stellar work of the TV season.
Hosted by “Just for Us” comedian Alex Edelman, the latest edition of the event will be celebrated at an intimate cocktail reception taking place Thursday, June 6 in Los Angeles. Exclusive editorial content, including honoree profiles, will also be featured on IndieWire beginning May 29 and will continue throughout the lead-up to the awards night, followed up video interviews and more content from the event. Other honorees...
- 5/20/2024
- by IndieWire Staff
- Indiewire
Consider what we know about Garfield the cat: He’s orange, a little plump, he loves lasagna, he hates Mondays, and — ah, well, that’s about it. Enough information to fill about four comic strip panels, wouldn’t you say? And yet, somehow, this lazy kitty and his very mild exploits have inspired three television series (with one more on the way), a dozen prime-time specials, and three feature-length films.
While previous cinematic iterations of Garfield’s story have stretched his adventures to wacky ends — the 2004 “Garfield: The Movie” essentially acted as an origin story, while its 2006 sequel “Garfield: A Tale of Two Kitties” put a “Prince and the Pauper”-ish twist on his life — the latest in a long, looooooong line of Garfield adaptations goes in the opposite direction. Mark Dindal’s garishly animated “The Garfield Movie” — not to be confused with “Garfield: The Movie” — inserts a beloved feline...
While previous cinematic iterations of Garfield’s story have stretched his adventures to wacky ends — the 2004 “Garfield: The Movie” essentially acted as an origin story, while its 2006 sequel “Garfield: A Tale of Two Kitties” put a “Prince and the Pauper”-ish twist on his life — the latest in a long, looooooong line of Garfield adaptations goes in the opposite direction. Mark Dindal’s garishly animated “The Garfield Movie” — not to be confused with “Garfield: The Movie” — inserts a beloved feline...
- 5/20/2024
- by Kate Erbland
- Indiewire
OpenAI says its “Sky” voice for ChatGPT’s Voice Mode is not an imitation of Scarlett Johansson’s voice. It is instead the “natural speaking voice” of one of its compensated voice talents, per a blog post. Still, the company says it will “pause” the availability of Sky while it addresses the issue.
“We believe that AI voices should not deliberately mimic a celebrity’s distinctive voice — Sky’s voice is not an imitation of Scarlett Johansson but belongs to a different professional actress using her own natural speaking voice,” the post reads. “To protect their privacy, we cannot share the names of our voice talents.”
OpenAI stated that they employ “well-known, award-winning” casting directors and producers to cast voice actors for the products.
But some users of the OpenAI tech questioned whether Sky was Scarlett — or at least trying to replicate her famous voice. Johansson previously voiced a fake...
“We believe that AI voices should not deliberately mimic a celebrity’s distinctive voice — Sky’s voice is not an imitation of Scarlett Johansson but belongs to a different professional actress using her own natural speaking voice,” the post reads. “To protect their privacy, we cannot share the names of our voice talents.”
OpenAI stated that they employ “well-known, award-winning” casting directors and producers to cast voice actors for the products.
But some users of the OpenAI tech questioned whether Sky was Scarlett — or at least trying to replicate her famous voice. Johansson previously voiced a fake...
- 5/20/2024
- by Samantha Bergeson
- Indiewire
The idea of a film about queer rodeo performers is pretty powerful stuff. Rodeos are typically seen in film as these hyper masculine events where real cowboys prove their mettle. But in “National Anthem,” we see a completely different side of the rodeo.
Read More: Summer Movie Preview: 50 Must-See Films To Watch
As seen in the trailer, “National Anthem” follows the story of a young man who finds himself in a community of queer rodeo performers.
Continue reading ‘National Anthem’ Trailer: Charlie Plummer Stars In Film About Queer Rodeo Performers at The Playlist.
Read More: Summer Movie Preview: 50 Must-See Films To Watch
As seen in the trailer, “National Anthem” follows the story of a young man who finds himself in a community of queer rodeo performers.
Continue reading ‘National Anthem’ Trailer: Charlie Plummer Stars In Film About Queer Rodeo Performers at The Playlist.
- 5/20/2024
- by Martin Miller
- The Playlist
Nicola Coughlan is nowhere near done with “Bridgerton,” but the star of Season 3 can’t help looking down the road. After making the seamless jump from wallflower to leading lady with Penelope’s story, she recognizes that her character will move to the periphery after Parts 1 and 2 premiere this summer.
“I was talking to Luke Newton about this the other day,” Coughlan told IndieWire the day before “Bridgerton” Season 3 – Part 1 premiered. “There’s something nice about kind of going back to the drawing board thing as an actor. You’re not going back to point zero, but it’s nice to go ‘Now I’ve got to work my ass off again to get a job.'”
Coughlan was conscious of the fact that a lot of actors reach a point where they no longer accept auditions, just offers, but she feels it’s too important to test the waters...
“I was talking to Luke Newton about this the other day,” Coughlan told IndieWire the day before “Bridgerton” Season 3 – Part 1 premiered. “There’s something nice about kind of going back to the drawing board thing as an actor. You’re not going back to point zero, but it’s nice to go ‘Now I’ve got to work my ass off again to get a job.'”
Coughlan was conscious of the fact that a lot of actors reach a point where they no longer accept auditions, just offers, but she feels it’s too important to test the waters...
- 5/20/2024
- by Proma Khosla
- Indiewire
There have been a million films about films. How many times have you seen a director make a movie about the love of movies? It’s so commonplace that it almost loses its meaning. But when a filmmaker like Arnaud Desplechin makes a film about films, such as “Filmlovers!” you pay attention.
Read More: ‘Hayao Miyazaki & The Heron’ Trailer: Go Behind-The-Scenes Of Miyazaki’s Latest In New Cannes Doc
As seen in the trailer for “Filmlovers!” the movie follows the story of a young kid who becomes obsessed with films after seeing one on the big screen.
Continue reading ‘Filmlovers!’ Trailer: Arnaud Desplechin’s Latest Is A Coming-Of-Age Story About The Love Of Film at The Playlist.
Read More: ‘Hayao Miyazaki & The Heron’ Trailer: Go Behind-The-Scenes Of Miyazaki’s Latest In New Cannes Doc
As seen in the trailer for “Filmlovers!” the movie follows the story of a young kid who becomes obsessed with films after seeing one on the big screen.
Continue reading ‘Filmlovers!’ Trailer: Arnaud Desplechin’s Latest Is A Coming-Of-Age Story About The Love Of Film at The Playlist.
- 5/20/2024
- by Martin Miller
- The Playlist
Ti West is channeling Paul Schrader for his trilogy ender “MaXXXine.” Oh, and “The Terminator.”
Writer/director West told Total Film that the 1985 Hollywood-set horror film is just as “hardcore” as Schrader’s filmography, with high concept tie-ins of “The Terminator” and “Vice Squad.” Plus, of course, what “X” film is complete without a hint of giallo?
“It’s poppy, but still grounded in more of a grittier ’80s than a shopping-mall ’80s,” West described his film. “You’re seeing the glamorous side of the movie business and the seedy side of Hollywood.”
West said “MaXXXine” has “a ‘Terminator’-like aesthetic to a Paul Schrader hardcore thing to ‘Vice Squad’ to giallo,” all mixed together.
“MaXXXine” is one of IndieWire’s most anticipated films of 2024, with Mia Goth reprising the role of adult-film star and aspiring actress Maxine Minx for the latest franchise installment. Goth previously played Maxine in “X...
Writer/director West told Total Film that the 1985 Hollywood-set horror film is just as “hardcore” as Schrader’s filmography, with high concept tie-ins of “The Terminator” and “Vice Squad.” Plus, of course, what “X” film is complete without a hint of giallo?
“It’s poppy, but still grounded in more of a grittier ’80s than a shopping-mall ’80s,” West described his film. “You’re seeing the glamorous side of the movie business and the seedy side of Hollywood.”
West said “MaXXXine” has “a ‘Terminator’-like aesthetic to a Paul Schrader hardcore thing to ‘Vice Squad’ to giallo,” all mixed together.
“MaXXXine” is one of IndieWire’s most anticipated films of 2024, with Mia Goth reprising the role of adult-film star and aspiring actress Maxine Minx for the latest franchise installment. Goth previously played Maxine in “X...
- 5/20/2024
- by Samantha Bergeson
- Indiewire
Related Images is a column in which filmmakers invite readers behind the scenes, into their sketchbooks, or otherwise through the looking glass to learn more about their creative processes.Rachel Walden's Lemon Tree is now showing exclusively on Mubi in many countries.Gordon Rocks (The Son). Photograph by Eli Freireich.Several years before I made Lemon Tree, my mother encouraged me to ask my grandfather about “the road trip he took with the orange tree." She said that it would make a great short film. This is the transcription of J. L. Burgess (a.k.a. Papa)—one of the best storytellers I have ever met—telling me that story, which I worked into an outline/beat sheet that would later become Lemon Tree. I decided not to work from a formal script, so we made the entire film off that outline. People always ask me where the lemon tree is in the movie.
- 5/20/2024
- MUBI
One of the biggest criticisms of Marvel Studios, as of late, is that the continuity has become too difficult to keep up with. The general movie-goer isn’t able to watch “Doctor Strange in the Multiverse of Madness,” for example, without doing some sort of superhero homework to catch up. Well, to help alleviate those concerns, Marvel Studios is emphasizing different “banners” to show that not everything is connected, and viewers don’t have to follow every project.
Continue reading Marvel Television Banner Part Of Plan To Tell Viewers “You Can Jump In Anywhere” at The Playlist.
Continue reading Marvel Television Banner Part Of Plan To Tell Viewers “You Can Jump In Anywhere” at The Playlist.
- 5/20/2024
- by Martin Miller
- The Playlist
Movies don’t always need to have a message. Themes are inherent to storytelling, but there are plenty of movies that can simply coast on vibes and star power, or which undermine their own messaging when it gets heavy-handed and preachy. The films that often get audiences really thinking are the ones that cushion that messaging in a mesmerizing story, which don’t tell you what to think but what to think about. Writer and director Sandhya Suri’s debut feature, “Santosh,” premiering at Cannes, is one such film.
“Santosh” is named after its lead character, Santosh Saini — a young widow unaccustomed to working but is now forced to by necessity, who inherits her husband’s profession due to a bizarre legal loophole (a real clause known as “appointment on compassionate ground”). Overnight, Santosh finds herself thrust into the local police force, where a murder investigation becomes a crash course...
“Santosh” is named after its lead character, Santosh Saini — a young widow unaccustomed to working but is now forced to by necessity, who inherits her husband’s profession due to a bizarre legal loophole (a real clause known as “appointment on compassionate ground”). Overnight, Santosh finds herself thrust into the local police force, where a murder investigation becomes a crash course...
- 5/20/2024
- by Proma Khosla
- Indiewire
“Emilia Pérez” has some competition on its heels in the Cannes competition: Coralie Fargeat’s body horror feminist industry satire “The Substance” premiered at the Palais last night to ecstatic raves and applause. While I’m not sure another genre film of this one’s gross-out, dare-you-to-lose-your-dinner extremeness can take the Palme d’Or so soon after big winner “Titane” surely paved the way three years ago for “The Substance” to be in the competition at all, this return to form for lead Demi Moore would be a bold choice from the jury.
I’d more expect to see Fargeat in contention for Best Director, as jury president Greta Gerwig might want to support a female filmmaker in a competition lacking in them. There are just four among the 22 films competing for the Palme, and at least one, “Wild Diamond,” feels like Thierry Frémaux’s effort to round that total of women directors up,...
I’d more expect to see Fargeat in contention for Best Director, as jury president Greta Gerwig might want to support a female filmmaker in a competition lacking in them. There are just four among the 22 films competing for the Palme, and at least one, “Wild Diamond,” feels like Thierry Frémaux’s effort to round that total of women directors up,...
- 5/20/2024
- by Ryan Lattanzio
- Indiewire
More than just a director of animation, Hayao Miyazaki is one of the best filmmakers (of any kind) of all time. His films are beloved and studied. You might as well just hand him an Oscar when he makes a new one. So, it’s incredibly interesting to see what all goes into the making of one of his features.
Read More: ‘The Substance’ Review: Demi Moore & Margaret Qualley Switch In A Visionary Twist On ‘Death Becomes Her’ [Cannes]
As seen in the trailer for “Hayao Miyazaki and the Heron,” you get a behind-the-scenes look at the creation of the Oscar-winning feature, “The Boy and the Heron.” Over the course of the two-hour documentary, you see the relationship between the filmmaker and his producing partner Toshio Suzuki, as both people play off each other and Suzuki, in particular, pushes Miyazaki to go even further with his creativity.
Continue reading ‘Hayao Miyazaki...
Read More: ‘The Substance’ Review: Demi Moore & Margaret Qualley Switch In A Visionary Twist On ‘Death Becomes Her’ [Cannes]
As seen in the trailer for “Hayao Miyazaki and the Heron,” you get a behind-the-scenes look at the creation of the Oscar-winning feature, “The Boy and the Heron.” Over the course of the two-hour documentary, you see the relationship between the filmmaker and his producing partner Toshio Suzuki, as both people play off each other and Suzuki, in particular, pushes Miyazaki to go even further with his creativity.
Continue reading ‘Hayao Miyazaki...
- 5/20/2024
- by Martin Miller
- The Playlist
Demi Moore is using her juiciest leading role in years to make a statement against the sexism of Hollywood.
Moore stars in Coralie Fargeat’s body horror Hollywood satire “The Substance,” which premiered in competition at Cannes to rave reviews. The actress plays an aging star who acquires a mysterious serum that births a younger, more ideal version of herself, played by Margaret Qualley. The two women are nude throughout the film, which shows the horrors of women going to extremes to preserve their self-image in Hollywood. Moore credited Qualley for being a “great partner” during a nude scene they share together.
“We were obviously quite close at some moments…and naked,” Moore said during the Cannes press conference (via The Hollywood Reporter). “But there was also a levity [in shooting those scenes].”
Moore explained that the gross-out horror feature, which debuted at Cannes Sunday night, undermines the “male perspective of the ideal woman” to a harrowing degree.
Moore stars in Coralie Fargeat’s body horror Hollywood satire “The Substance,” which premiered in competition at Cannes to rave reviews. The actress plays an aging star who acquires a mysterious serum that births a younger, more ideal version of herself, played by Margaret Qualley. The two women are nude throughout the film, which shows the horrors of women going to extremes to preserve their self-image in Hollywood. Moore credited Qualley for being a “great partner” during a nude scene they share together.
“We were obviously quite close at some moments…and naked,” Moore said during the Cannes press conference (via The Hollywood Reporter). “But there was also a levity [in shooting those scenes].”
Moore explained that the gross-out horror feature, which debuted at Cannes Sunday night, undermines the “male perspective of the ideal woman” to a harrowing degree.
- 5/20/2024
- by Samantha Bergeson
- Indiewire
This is an odd Summer Movie Season. Sure, there are some blockbusters being released, but it really doesn’t feel like any are destined to be monumental hits. Well, except one– “Deadpool & Wolverine.” That’s the only movie being released this summer that feels big. And now, with pre-sale tickets available, we can start figuring out just how big this movie is going to be.
Read More: ‘The Fantastic Four’: Natasha Lyonne Is The Latest Actor To Join Marvel’s All-Star Cast
With the announcement that tickets are now on sale for “Deadpool & Wolverine,” Disney and Marvel Studios have released a little trailer to drum up some excitement.
Continue reading ‘Deadpool & Wolverine’ Trailer: Ryan Reynolds & Hugh Jackman Are Here To Save Summer at The Playlist.
Read More: ‘The Fantastic Four’: Natasha Lyonne Is The Latest Actor To Join Marvel’s All-Star Cast
With the announcement that tickets are now on sale for “Deadpool & Wolverine,” Disney and Marvel Studios have released a little trailer to drum up some excitement.
Continue reading ‘Deadpool & Wolverine’ Trailer: Ryan Reynolds & Hugh Jackman Are Here To Save Summer at The Playlist.
- 5/20/2024
- by Martin Miller
- The Playlist
Joe Alwyn has been the center of much media attention in the last few years. That may be news if you’ve been living in a hermetically sealed bunker. But outside that particular and unsolicited spotlight, the dandyish 33-year-old British actor has carved his name out in films from idiosyncratic auteurs. There was Joanna Hogg’s “The Souvenir Part II” as a grieving and queer-flirting film editor; Claire Denis’ sensuous 2022 Cannes Grand Prix winner “Stars at Noon” as a Brit adrift in Nicaragua having lots of sex with Margaret Qualley’s character; and most recently “Kinds of Kindness,” whose director Yorgos Lanthimos he previously starred for as a lusty baron in “The Favourite.”
Alwyn is back this year at Cannes in three roles in “Kinds of Kindness,” co-written with Lanthimos by his friend and “Alps” and “The Lobster” collaborator Efthimis Flippou. Which means we are very much in the mode of old-school Lanthimos,...
Alwyn is back this year at Cannes in three roles in “Kinds of Kindness,” co-written with Lanthimos by his friend and “Alps” and “The Lobster” collaborator Efthimis Flippou. Which means we are very much in the mode of old-school Lanthimos,...
- 5/20/2024
- by Ryan Lattanzio
- Indiewire
Good luck to you and all who plod along dusty roads with you if the first chapter of Kevin Costner’s “Horizon: An American Saga” compels you to seek out the forthcoming second one. This Civil War-era, Old West expansion epic is a $100 million vanity project that finds the actor/filmmaker in familiar terrain, and with the gall to cast himself as an apparently swoon-inducing cowboy in a world where all the women are either ball busters, prostitutes, or profoundly stupid, and the men hayseeds or Great American Heroes.
Told across four interwoven tales in and around the territories that became Wyoming, Montana, and Kansas, “Horizon” gets its title from a fictional pioneer settlement in the 1860s that’s stomped out an Apache tribe now battling to get back their land. But their patted-on inclusion at all feels like a committee-driven, gun-to-the-head corrective rather than an organic necessity of the story.
Told across four interwoven tales in and around the territories that became Wyoming, Montana, and Kansas, “Horizon” gets its title from a fictional pioneer settlement in the 1860s that’s stomped out an Apache tribe now battling to get back their land. But their patted-on inclusion at all feels like a committee-driven, gun-to-the-head corrective rather than an organic necessity of the story.
- 5/20/2024
- by Ryan Lattanzio
- Indiewire
“Annie Hall” changed the game in being a cautionary tale about a couple that conspicuously doesn’t last, while at the same time an enduring case for the wonder and necessity of romance. “The Other Way Around” is a similarly wacky subversion of the rom-com theme in that its central couple, successful millennial director Ale (Itsaso Arana) and actor Alex (Vito Sanz), cheerfully announce to their friends and loved ones that they’re breaking up. A big party will mark the occasion and duly end the relationship — which, their friends remind them, has gone on forever (more than a decade). The only people who think this is a sane idea is Ale and Alex. Not even Ale’s father(played by director Jonás Trueba’s real-life father, Fernando) can fathom it, although it was originally his idea. The concept seems to be born out of a kind of 90s stand-up...
- 5/20/2024
- by Adam Solomons
- Indiewire
One of the finest films ever made about organized crime, “The Long Good Friday” (1980) sees the world of a London gangster abruptly destabilized by bomb attacks and murders of his associates. He and his henchmen attempt to uncover the attackers’ identities, all whilst trying not to worry their visitors in town for the weekend, who are members of the American mafia looking to invest in redevelopment in the area. This British mob classic may seem an odd film to evoke up top in a review of a French-language, Corsica-set debut feature. But one of the main strengths of director Julien Colonna’s “The Kingdom” is how it successfully pulls off a loosely similar, paranoia-driven fall-of-an-empire story within the context of a condensed time period.
The time frame in question is not quite as tight as “The Long Good Friday’s” 24-ish hours of mayhem, but instead a few weeks of...
The time frame in question is not quite as tight as “The Long Good Friday’s” 24-ish hours of mayhem, but instead a few weeks of...
- 5/20/2024
- by Josh Slater-Williams
- Indiewire
Cannes – For a moment, we thought Coralie Fargeat’s “The Substance” had overstayed its welcome. But, no, the “Revenge” director was just taking a breath before unleashing a wild and operatic ending for her Cannes Film Festival debut. A bold dissection on aging and self-hatred Fargeat’s latest work is an utter visual marvel and features superb performances from its lead actresses; Demi Moore and Margaret Qualley.
Continue reading ‘The Substance’ Review: Demi Moore & Margaret Qualley Switch In A Visionary Twist On ‘Death Becomes Her’ [Cannes] at The Playlist.
Continue reading ‘The Substance’ Review: Demi Moore & Margaret Qualley Switch In A Visionary Twist On ‘Death Becomes Her’ [Cannes] at The Playlist.
- 5/20/2024
- by Gregory Ellwood
- The Playlist
Un Certain Regard is always a time to explore new, daring films from first- and second-time feature filmmakers at the Cannes Film Festival. They’ll eventually be eligible for the Camera d’Or, the Un Certain Regard equivalent of the Palme d’Or. So if you’re looking for something to see outside the main competition at Cannes this year, Julien Colonna’s Un Certain Regard entry is a simmering and intense coming-of-age story about a teenage girl coming of age amid a criminal family. And that family is maybe one she doesn’t want to reconnect with but is forced to over one summer in Corsica, 1995. Watch an IndieWire exclusive clip from the film below.
Here’s the official synopsis: “Corsica, 1995. It’s Lesia’s first summer as a teenager. One day a man bursts into her life and takes her to an isolated villa where she finds her father,...
Here’s the official synopsis: “Corsica, 1995. It’s Lesia’s first summer as a teenager. One day a man bursts into her life and takes her to an isolated villa where she finds her father,...
- 5/20/2024
- by Ryan Lattanzio
- Indiewire
imdb.1eye.us, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.
More to explore
‘Yellowstone’ Starts Production on Final Season 5 Episodes
- 5/20/2024
- by James Hibberd
- The Hollywood Reporter - Movie News
‘The Sandman’ Season 2 Casts Remaining ‘Endless’ Siblings of Tom Sturridge’s Dream: Delirium, Destiny and ‘The Prodigal’
- 5/20/2024
- by Jennifer Maas
- Variety Film + TV
Box Office: John Krasinski’s ‘If’ Debuts at No. 1 With Soft $35 Million
- 5/19/2024
- by Rebecca Rubin
- Variety Film + TV
Trump Campaign Threatens Legal Action Over Sebastian Stan’s ‘The Apprentice’ Movie: ‘This Garbage Is Pure Fiction’
- 5/20/2024
- by Katcy Stephan
- Variety - Film News
Olivia Colman as Queen Elizabeth Not Eligible for ‘The Crown’ in Emmy Guest Actress Race, Claire Foy Remains Early Favorite (Exclusive)
- 5/20/2024
- by Clayton Davis
- Variety - TV News
Courteney Cox Says Matthew Perry Visits Her “A Lot” After His Death
- 5/20/2024
- by Tatiana Tenreyro
- The Hollywood Reporter - Movie News
Jennifer Lopez Is the Ultimate Latina Rom-Com Queen
- 5/14/2024
- by Zayda Rivera
- Popsugar.com
Aida Rodriguez: Unpacking My Childhood Traumas Through Comedy Is Cathartic
- 5/6/2024
- by Aida Rodriguez
- Popsugar.com
How Erik Rivera Uses Comedy to Heal and Help Others
- 5/6/2024
- by Miguel Machado
- Popsugar.com
Ian Lara: Comedy Gave Me the Strength to Overcome My Mother's Death
- 5/6/2024
- by Ian Lara
- Popsugar.com
Ari Aster and Lars Knudsen’s Square Peg Boards ‘Hansel and Gretel’ Stop-Motion Feature as Executive Producers (Exclusive)
- 5/20/2024
- by Callum McLennan
- Variety - Film News
Box Office: John Krasinski’s ‘If’ Debuts at No. 1 With Soft $35 Million
- 5/19/2024
- by Rebecca Rubin
- Variety Film + TV
Why the New Gameplay Worked on ‘Survivor’ This Season
- 5/21/2024
- by Brigid Misselhorn
- Indiewire
From ‘Horizon’ to ‘Inglourious Basterds,’ These Are the 23 Longest Cannes Standing Ovations of All Time
- 5/21/2024
- by Wilson Chapman
- Indiewire
‘Black Dog’ Review: The 2008 Olympics Cast Shadows Over a Lost Soul and His Lost Dog in Guan Hu’s Desert Noir
- 5/20/2024
- by Christian Zilko
- Indiewire
‘Yellowstone’ Starts Production on Final Season 5 Episodes
- 5/20/2024
- by James Hibberd
- The Hollywood Reporter - Movie News
‘The Sandman’ Season 2 Casts Remaining ‘Endless’ Siblings of Tom Sturridge’s Dream: Delirium, Destiny and ‘The Prodigal’
- 5/20/2024
- by Jennifer Maas
- Variety Film + TV
Why the New Gameplay Worked on ‘Survivor’ This Season
- 5/21/2024
- by Brigid Misselhorn
- Indiewire Television
Nina Dobrev Hospitalized, Reveals ‘Long Road of Recovery Ahead’ After Motorbike Incident
- 5/20/2024
- TV Insider
Olivia Colman as Queen Elizabeth Not Eligible for ‘The Crown’ in Emmy Guest Actress Race, Claire Foy Remains Early Favorite (Exclusive)
- 5/20/2024
- by Clayton Davis
- Variety - TV News